Visualizing Possible Futures – Artworks for Speculative Fiction

with European Digital Rights (EDRi)

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Client

European Digital Rights (EDRi)

Relationship

Since 2021

Services

Digital Storytelling, Futures Design, Illustration, Speculative Fiction 

Illustrating futures that remember, resist, and reimagine

Creating visual world for 4 powerful speculative fictional stories by authors across geographies exploring futures shaped by migration, care, grief and memory.

Introduction

Speculative fiction doesn’t predict the future—it creates space to ask, what if? In this project, we had the honor of creating visual worlds for four powerful, radically imaginative stories of resistance, surveillance, identity, and healing. These stories, written by feminist and queer authors across geographies, explore futures shaped by data, migration, care, grief, and memory.

We were invited to create artworks that didn’t just decorate the stories but lived inside their worlds—holding their tensions, dreams, and emotional resonance.

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THE FOUR STORIES

A story about K’ima, a memory-mapping grandmother navigating aging and digital loss in a post-revolution world.
Set in a surveillance-heavy Switzerland, this story traces the entangled lives of young teens facing algorithmic scrutiny and queer becoming.
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A poetic narrative blending psychoanalysis, AI ethics, and trauma recovery, across decades of tech and resistance.
A lyrical, fragmented exploration of reentry, surveillance trauma, and intergenerational displacement.
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Design Brief

  • Capture each story’s emotional undercurrent: tension, warmth, unease, rebellion.
  • Use visual metaphors to expand—not explain—the stories.
  • Reflect the speculative tone with worldbuilding elements: interfaces, textures, and symbolic motifs.
  • Ensure characters are depicted with dignity, avoiding tropes of victimhood or erasure.

Our Approach

1. Visual Language for Speculative Worlds
Each artwork was crafted with its own ecosystem of style, form, and texture. We drew inspiration from:

  • Afrofuturist, queer, and diasporic design languages
  • Retro-futurism and lo-fi sci-fi motifs
  • Emotional abstraction—using color, scale, and visual rhythm to evoke affect

Where possible, we integrated interface design, urban decay, biotech flora, and story-specific metaphors (like AI companions, ancestral data clouds, and digital threads).

 

2. Moodboard to Manifestation
We began by moodboarding each story’s universe—imagining what light might feel like, what kind of weather their worlds hold, how memory and grief might look in color.

From there:


  • We created sketches that prioritized mood over realism
  • We played with scale—characters often appeared small in large systems, or monumental when reclaiming agency
  • We layered textural motifs—glitches, wiring, fabric patterns, glowing code—to reinforce speculative tension

 

3. Characters as Anchors

In every artwork, we grounded the composition around a character moment—not as portraiture, but as narrative punctuation.

For example:


 

  • K’ima standing under a data tree shedding digital leaves (Algorithm of Grief)
  • Isra holding a carved turnip against algorithmic judgment (Disclosure)
  • The AI machine, glowing like a votive shrine, holding space for memory processing (ATLR)
  • A returned ancestor, blurred into reflections and surveillance glass (Thirteen Ways…)

Creative Challenges

  • Speculative ambiguity: These weren’t worlds to explain—they were worlds to feel. We resisted literalism, embracing atmosphere and metaphor.
  • Emotional clarity: While the stories were rich in concept, our visuals had to distill their emotional truths quickly—especially for readers encountering them without context.
  • Avoiding dystopia fatigue: Many speculative stories about data and surveillance lean dark. We aimed to weave in tenderness and radical softness, even when portraying rupture.

Impact

  • The illustrations became anchor visuals for the stories—used in promotions, digital platforms, and discussion circles.
  • Readers shared how the art made the stories feel more immersive, saying they “felt seen and transported.”
  • Writers noted that seeing their stories visualized brought new layers of meaning to their work.

Conclusion

Speculative fiction dares us to see what could be, but art makes us feel what it’s like to live there. For us, this wasn’t just a visual brief—it was an act of solidarity and world-building. Through these artworks, we offered not only a window into these imagined worlds, but a mirror reflecting our own.